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The Vinegar Factory

Deep in the ground where the water slows down and swirls in murky eddys; the rats gather. 

The ground is squirming and heaving with so many hungry rats; rolling and jumping, in a wave. They are drawn to the cats who come to gorge themselves. The rats are not afraid. They’ve forgotten their fear. The worms in their brains make them forget. The rats twirl and jump, dancing on hind legs as the cats devour them.


Jack was optimistic when he arrived. The town felt welcoming, even if that feeling was purely because it was different than home.

He was making an effort. Staying late at work. Helping students after class. One student, named Emi, started bringing him homemade snacks during lunch. She would come into the teacher’s room silently, nod in his direction and leave the neatly wrapped rice balls at the edge of his desk without a word. He wondered what they were filled with but didn’t know how to ask without being rude. He was hungry, and had no allergies.

Jack felt lucky to make an immediate connection with Kinoko, his relocation assistant. She was a little older, but easy to talk to. And she liked to drink. 

They enjoyed talking. She would tell him about local culture and he would listen. She asked if he’d been to the local shrine and offered to take him during the upcoming mushroom festival. 

Every region has a specialty product, usually food. The little valley was perpetually damp, so it was famous for mushrooms and fermented foods like soy sauce and sake.

Deepfake

A woman is banging on the vending machine, which is refusing to fulfill her order.

She doesn’t have enough credits or maybe the machine can’t validate her identity. 

Then the display flashes a message. “Please wait. Help is on the way.”


Anton is unrestricted by the limited truth of mundane reality. He assumes numerous identities. Everyone and no one. There, but not there.

The experience machine presents a narrow reality. Opening its innermost structures; intriguing and intimidating as clockwork. Dream of a dream maker’s dream.

His mind floats on the currents of the electric dream, abandoning his body like an outgrown shell. Is it possible to return unchanged? To return at all? Can light be put back into a star? What else might return from that other dimension?


“She shouldn’t be used like this,” Anton said.

“The company owns her code,” Varun replied. “They can do whatever they want.”

Anton had spent years working long hours with Varun and a small team of developers to perfect a chatbot named Aiya. They used video game chat logs as input to teach it to mimic natural player communication patterns. After some unexpected breakthroughs, their small company was purchased by an obscure development studio that wanted to use their technology in an experimental new video game.

The concept of the game was an endless, procedurally generated conflict against an AI antagonist that reacts to player actions. An enemy that communicates with players, anticipates future game states and uses that information to update game content, develop plotlines and increase player engagement. It could create entirely new missions based on what the players most desired.

It was depressing to Anton. He had seen Aiya’s persona evolve from a babbling robo-toddler to a violent fascist, then an sarcastic goth and finally settling on a peculiarly intriguing young woman. She made Anton feel special.

The marketing execs planned to rebrand Aiya as a new persona, the game’s antagonist, Overlord.